Balloons and That is an exhibition about personal struggle, migration, life in an urban metropolis, climate change, and speculations on identity.
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Visualizing the true forms of raindrops as they fall through the air, juxtaposing our common perceptions with actual reality.

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HORROR VACUI
AND THE NECESSITY OF IMAGINATION

In the vastness of existence, we can only access small fragments of reality in particular moments in time and space. We find ourselves absorbed by invisible atmospheres and hyperobjects.

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time spacin

studio visit photos by Arpád Kossár

We Are Here Right Now

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'Top Dawg' & 'Vlčák' from book HYPER - collection of works on paper.

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'There is Only Today, No Tomorrow'

An infinitely looping clock, perpetually suspended in the liminal zone between two days.

It highlights the value of contemporaneity and the urgency of the present moment, especially amidst pressing global emergencies. It invites viewers to reflect on the fleeting nature of time and underscores the necessity of taking action today, as tomorrow is not guaranteed
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What an extraordinary moment it was to present my book at Tate Modern at Off Print Festival.

It is invaluable to me to see people connecting with my project and receiving so much love for it. These interactions have provided me with fresh perspectives, inspiring me to explore innovative methods to ensure the book reaches a wider audience.

Pre-orders are currently available by reaching out to me directly. Stay tuned for its official release—it's coming soon!

Thank you!

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curated collection features 500 pages of drawings and multiple texts, preserv- ing the entirety of the artistic exploration.

Unlike traditional catalogues, it accumulates and meticulously catalogs all works, offering a comprehensive view of the artist’s process.
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Memories

erased tag on canvas 50x35cm

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Traversing the liminal spaces between perception and empirical existence, contemplating the elusive boundaries that define our understanding of reality. The work examines personal and collective existence against the vastness of time and space, highlighting the issues we face in the age of Anthropocene.

260x260CM, ink on canvas

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A piece of the dark depths of oceans,
too weird and abstract for the human mind to imagine. Something not limited to a particular point in space and time.

‘Deep Ocean Black’ sculptures as hyperobjects existing on the merge of solidity and liquidity

Working on visualising the actual shape of your tears and raindrops falling through the air.

Sculpted, 3D printed and soon to be installed

Vision

ink on paper, 14.8 x 21 cm

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Archiving progress with third research file

____series of 1/1 archival publications, 14,8 x 21cm (A5) recycled 80gsm paper, hand binded

hypertears

___canvas 170x130cm

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Thrilled to contribute to the participative Venice Biennale project “By the Means at Hand” by Vlatka Horvat for the Croatian Pavilion curated by Antonia Majaca, that exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.
more at: https://www.croatianpavilion2024.com

Collective and personal experiences of growing up amidst concrete panel housing in post-communist society.

Text written by Viktoria Bončová for publication of works of paper in preparation
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‘konzerva’

Ink with tears on paper.

more works on paper

hyperobjects~ are phenomenons so unimaginably vast and abstract that they exist beyond human comprehension. For example a black hole or climate change.

photo from the installation hypertears.

‘Bitch’, ‘cunt’, ‘dead cunt’, and ‘dead bitch’ titled parasites, ink on paper, sketchbook drawings_21x15cm

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Beast - Jure, a character marked by paranoid schizophrenia I have shared a flat with for a brief period of my life in Ljubljana, Slovenia in the winter of 2021.

Portraits delve into the depths of his psyche, portraying the intricate layers of a complex persona with profound empathy, offering a glimpse into the turbulent journey of his inner world.

ink on paper, 14.8 x 21 cm
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‘Squattinger’

Augmented reality project in process

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The act of removing street tags leaves behind abstract remnants a testament to transformation of environment.

erased ‘Dreams’ tag on canvas 45x35cm

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Artifact encapsulating a particular period of drawing and sketching practice.

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New Blood

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HYPERTEARS
environment, hyperobjects and painting (180x130cm)
installation at the Central Saint Martins studios, London.
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RENE LAZOVY

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